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CALLIGRAPHY, KUNG FU AND
TRADITIONAL CHINESE MEDICINE:
Changing Attitudes among the Chinese
Jessica Osbaldeston,
Alumna 2004 Scripps College
September 2, 2004
China trip: May 17, 2004 – August 9, 2004
To the people behind the Avery Adventure Program,
I give heartfelt thanks. As part of the application, there was
a place for me to describe an experience during which I overcame
a physical, emotion, or logistical obstacle. After visiting China,
I feel that I have a wealth of stories of overcoming my fears
and conquering situations I would have thought were impossible
if I was in the U.S. Thank you for funding my project to China
so I feel inspired my next travel to stay in one place for a long
amount of time, rather than do a whirlwind trip of many countries.
First I want to define some of the words I
am going to use in my report as I experienced them in China:
Calligraphy – stylized brushwork of usually classical characters,
which differ from the simplified characters taught in Schools
in Mainland China today.
Kung fu – corruption of the Chinese
words kung fu and relates to the martial arts that come from a
Taoist tradition including taiji and bagua, the style I began
practicing at Scripps College
TCM – is Traditional Chinese Medicine and incorporates acupuncture,
moxibustion, herbal remedies, massage, and qigong.
Qigong – Qigong is a type of exercise
you see in the park that is supposed to activate acupuncture points
and meridians by movement. Informal qigong is easy to find in
China. At night you can probably find a person in the neighborhood
out walking and swinging his arms in a form of qigong.
I went to China intending to study what are
the links between kung fu, calligraphy, and taiji in Chinese culture?
Most of the answers I found were in the Parks. I was surprised
because the reasons I thought I was going to China did not turn
out to exist as I had imagined. For example, knowing the Claremont
acupuncturist, Jing Chen, who was also highly accredited in calligraphy
and taiji, gave me the expectation that it would be easy to find
people in China who had the same level of mastery as Dr. Chen.
However, I found early on that Dr. Chen was the exception and
not the rule. I had originally set out to interview female teachers
of TCM, calligraphy and kung fu about their role in these arts
that men have traditionally dominated. Once I arrived in China
and got a feel for the contemporary attitudes which do not apparently
value the traditional arts, I became interested in seeing how
the study of them is changing in modern times and what will the
future hold for them. I am going to use parks as the setting for
my report and describe the activities there, and what I learned
from the people there because I felt I learned the most about
the China by spending time in those places.
At parks in China, you can find people practicing
taiji next to people drawing calligraphy. Sometimes the calligraphers
will stop to do the natural movements of qigong. In these ways,
the practices overlapped. Although these things are stereotypical
of China, it is a part of the older generation’s culture.
There were more young men in the internet cafés I frequented
than in any park or kung fu class. China is a modernizing country
and if a young person has leisure time, there are much more hip
endeavors than calligraphy or kung fu. In this paradigm, it is
no wonder so many Chinese people laughed in the face of a young
American girl when I told them the reasons I came to Asia.
Part of my original Avery proposal was to learn
why people in China study calligraphy, kung fu, and traditional
medicine together in China, whereas in the U.S., I thought people
tended to isolate one of the three, and focus exclusively on it.
After meeting many Chinese people, especially the ones studying
or teaching kung fu, I believe it is the nature of Chinese culture.
For centuries, those who had many talents were revered. One example
is that scholars were the most famous painters and calligraphers.
Even today, my friend had a taiji teacher who was a lawyer during
the week. However, Chinese culture is modernizing quickly and
younger people are not taking a great interest in preserving these
arts, at least not in the big cities of China: Beijing, Shanghai,
and Xi’an where I was. A quick explanation could be that
younger people cannot read the classical Chinese characters used
in calligraphy, that Western medicine is available and affordable
meaning that people have more choices when it comes to healthcare,
and during the cultural revolution from 1966-1976, forms of kung
fu were suppressed and the Chinese government encouraged young
people to do wushu, which literally means martial arts, but is
criticized for being an artificial and dance-like art without
the same combat, nor Taoist implications. The older people described
growing up part of the traditions. The younger people who I met
in the park studying kung fu told me they became interested in
kung fu because of movies.
The Parks of China are centers of community.
They are where older people go to meet with friends, or to meditate
quietly. There is diversity in activities going on at once. If
you go to the park particularly on a weekend morning and sit in
one open area, you can see a qigong class, tap dancing class,
and taiji class simultaneously. From the same perspective, single
people, or pairs will be singing opera, practicing musical instruments,
flying kites, playing badminton, or paddle ball. Also in the urban
areas you can find playgrounds designed for adults. There are
spaces filled with brightly colored equipment, some for children,
but mainly for adults to exercise. There are chin up bars, places
to stretch, elliptical machines, strength training using their
own body weight. People will walk by carrying plants they have
picked from the park that they will go home and brew into medicine,
or eat as food.
Perhaps because of their small living quarters,
people take advantage of nearby parks for the open space and clean
environment. I spoke to many foreigners who were backpacking around
china and they consistently marveled at the liveliness of the
parks. One American named Dennis said he arrived in Xi’an
at 4:30 one morning and wandered into a park. He was surprised
to see so many people outside, exercising, and could not help
but make comparisons in his mind to his home city. “In Chicago,
a person would look funny doing taiji in the park no matter what
time of day it is. Also, people in Chicago belong to sports clubs;
in China though, it seems that the parks allow many people from
many different sections of society to mingle with each other.”
The location of a park does not necessarily
determine the socio-economic status of the visitors to the park
because of rents in the surrounding area. Urban planning in China
is such that fancy high-rise apartment buildings are built next
to Hutongs [the traditional one-story neighborhoods] meaning that
the economic status of the people cannot be fixed.”
The freedom of movement in the park engendered
a space where people could be outgoing. Frequently people would
wander up and join in the movements and exercises without shyness.
If there were foreign tourists walking around the park, sometimes
they would stop and take a photo of something they found of interest.
Their awkwardness was palpable. On the other hand, I never saw
the Chinese give any mind to the camera or photographer. The Chinese
did not feel reservations about wandering up and starting a conversation
with the teacher. In my observation of kung fu classes, if a man
walked by with a group with friends, or his family, it was not
uncommon for him to stop and demonstrate for his companions what
he learned in his martial arts classes in previous years. The
man’s companions were usually amused by his pantomime in
front of a kung fu class, and they would continue on with their
day.
I enjoyed the relaxed attitude about space
that the Chinese propagated. Maybe because of their close living
quarters they get used to having little, or no privacy, and this
was the feeling they brought with them into public spaces. The
Chinese have a bad reputation among some of the foreigners I met
because the Chinese stare to the point of rudeness from an outsider’s
perspective. Granted, people stared at me constantly, but it rarely
bothered me the way it did other people. Most experiences I had
in the park showed me how friendly and open the Chinese people
are. Walking past a badminton court one morning, a gentleman handed
me his racquet so he could take a short break. Whenever I went
where there was a group of calligraphers, at least one of them
would offer me a brush in case I wanted to participate. They extended
their brushes and friendly manner regardless of my inability to
speak Chinese.
One of the best experiences while conducting
my Avery project was seeing the amount of pride people carried
with them in the park, especially the older people. I enjoyed
the stereotypical moment when after communicating to a man that
I was interested in kung fu; he grabbed my wrist and twisted it
into various joint locks. After tossing me around for a few minutes,
he stopped and said very slowly so I would understand, “Ba-Shi-Wu,”
his age at 85. Observing another class in Tiantan Park, there
was an old gentleman in his eighties as well who attended the
class everyday to do his qigong exercises; the rest of the time
he would sit back in the folding chair he brought with him and
enjoy watching the rest of the students. I asked the translator
about him, and she said that he had been coming every day for
eight years. The spirit of this old man is what I would hope to
share with people in the U.S. Sure, practicing kung fu may help
keep you healthy, and scientists are studying what specific health
benefits taiji may have. However, I believe this old gentleman
came consistently to practice qigong and watch others do kung
fu out of a love for the art. I hope to be motivated by the same
love to dedicate years to the same pastime. I should note that
not all Chinese enjoy the parks. I asked one girl studying kung
fu if her parents ever visited the park. She said, “No,
my parents like to watch TV.”
Next I want to speak to you about the homogeneity
of attitudes I encountered regarding the traditional arts.
When speaking to any person outside of a kung fu class, especially
if they were young, but if they were middle aged too, when I asked
them about their opinions of kung fu, their answers were the same.
Dozens of people told me they were not interested in taiji, for
example, “because it’s too slow. It’s too boring.”
Some took the time to elaborate, “It’s so old-fashioned,
but it’s good for old people.” Over and over, different
people told me the same thing. Was my disappointment a reaction
to the idea that abounds in America that Chinese culture is so
permeated with kung fu, calligraphy, and TCM that to find someone
disinterested in a an aspect is sacrilegious? I hope not. Instead,
my feeling probably originates from my interest in kung fu because
I do not think it is boring. The young people studying kung fu
also gave similar answers to each other when I asked why they
enjoyed kung fu. One girl told me that it was because she watched
so many movies growing up about kung fu. Yet, most other people
my age, no matter how articulate they were in English said, “I
just like it.”
The same sentiments echoed when I asked people
about traditional Chinese medicine. Dozens of people told me that
TCM is “superstitious and old-fashioned.” They prefer
Western Medicine. One explanation of this is that I spoke to people
in large cities: Beijing, Xi’an, and Shanghai. I imagine
that if I visited more rural area finding skeptics would be more
difficult. When I prodded the same people for further detail about
their inclination to seek western medical treatments, they explained,
“Taking Chinese herbs are difficult. You have to prepare
them, cook them up to an hour, use specific types of water and
containers, and they taste awful. Western medicine you can just
swallow with no preparation.” As an aside from my project
and as a cultural thought, the homogeneity of thought that I found
extended beyond my Avery Project, as well. When I met new friends,
they immediately concerned themselves with taking care of me.
This aspect of the homogeneity of thought did not disappoint me
- it constantly surprised me. The typical interaction I had with
the Chinese was that they asked me the same questions about where
I was from, had the same reaction when I told them California,
“oh, there are many Chinese there,” pushed me for
details about what I was doing in China, and all acted surprised
when I said I was traveling alone. They went to extremes to make
sure I was comfortable; frequently, at restaurants they would
ask for cutlery for me to use because they could not believe that
I used chopsticks. Eating with the Chinese was a ridiculous affair
as well. They would not touch a dish until I had tasted it first.
Even though I do not drink, I frequently ordered beer for my Chinese
friends because they would not order it for themselves. Likewise,
I added spice to my food because that is the way the Chinese seemed
to prefer it and they would not add spice unless I took the initiative.
If those were the attitudes of the native Chinese,
it is no wonder it was easy for me to find teachers who enjoyed
speaking with foreigners. One teacher told me that neither the
Chinese people nor the Chinese government is concerned with preserving
traditional martial arts. Since he is afraid that china will not
preserve these arts, he will teach them to foreigners because
foreigners are very interested in them. Which is true - I stayed
primarily in youth hostels over my 11 weeks in china and I met
more young people in their 20s traveling in China who were more
interested in studying taiji and other traditional Chinese arts
than most of the young Chinese university students and others
who I met over a regular day in Beijing or Shanghai, who, if they
were interested in martial arts, usually did wushu.
I had many encounters with wushu over my time
in China. For three weeks in Beijing, I lived in the foreign students’
dorm of the Capitol College Sport University in Beijing, where
a friend from Pomona College in Claremont was studying wushu.
In order to be an instructor in the Sport University of Beijing,
a person had to win a world championship. Thus, I can assume that
the teachers there are of the highest caliber. Nevertheless, when
speaking to older (over sixty) kung fu teachers, they relentlessly
mocked the Sport University. One taiji teacher in a park mimed
a ridiculous dance and said, "That's wushu.” Early
on, I came to recognize that there were significant differences
in the attitudes of each generation, including on gender issues.
The older generation told, “Women don’t like to fight.”
The younger and middle-aged people told me, “Women are good
students and enjoy fighting.” Maybe the older people did
not receive the same Marxist-equality education that the Communists
have in schools. Nevertheless, wushu receives praises because
it is a sport that has equalized martial arts for men and women.
Instead of focusing on strength in combat, wushu requires flexibility,
quickness, and agility; these are qualities that men and women
are competitive in. Thus, the suppression of kung fu during the
Cultural Revolution and the creation of wushu can be viewed as
a gender-leveling movement.
While many people are worried about the direction of the traditional
arts in China, I met another teacher who is not concerned with
the lack of interest among young Chinese people. When I asked
him about the future of traditional arts, he used climbing a mountain
as an analogy. As long as you practice, you are constantly moving
up the mountain. Adaptation is important because the top of the
mountain has not been charted. His ideas about change are very
different from the older teacher I just told you about who is
upset at the lack of preservation. However, I share the younger
teacher’s optimism that as long as some people are still
learning, no matter if they are native Chinese or foreigners;
there is progress towards the top of the mountain.
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